In a shot like this, composition is everything. It has to balance the visual weight of light and dark. The three smaller bubbles on the left have to balance with the two larger bubbles on the right. The negative space and positive space both have to be interesting — here the textures in the ice and bubbles add visual interest. And because it’s nature and you can never control it completely, there will always be random elements to deal with. In this picture, the shadow of something deeper lies near the top of the frame. I like the visual reminder that in photography, art is created between the artist and the subject: you never have complete control.

At craft sales, I always have tags on the back of my photos with a title and short description. People seem to enjoy this, but sometimes a short tag is not enough. This photo, for instance, is only partially explained by the tag which says “Oilfield Remains”. So I often get questions, and I try to explain, but usually fail miserably. Well, here’s my (hopefully successful) explanation of the photo.

The story starts with me and Jason driving around the countryside finding nice things to take pictures of. This is a fairly common occurance in the life of a nature photographer. Oil rigs are also a fairly common occurance around Edmonton, so the two often coincide. We found this lovely oil rig just as the sun was setting, and of course I took the standard oil-rig-sunset shot which is the same as twenty billion other oil-rig-sunset shots. But hey, it gives me some context for the story.

Getting good photos means investigating things a little more, and while we’re wandering around the rig, we find (among other things) these random pieces of pipe on the ground. Rusty texture and curved lines catch my eye, and soon I’m down on the ground taking photos of this pipe elbow.

Well, in this photo there’s a bit too much going on for there to be a clear focal point, and the lines aren’t leading where they need to be leading. So I got a little closer, focused into the pipe, and took the photo you see at the top.

A quiet walk along a forest trail. Warm yellow leaves lit by the setting sun. What more could you want?

These photos don’t have leading lines to add depth or direct they eye (which generally I prefer), but they do illustrate some of the possibilities.

Me interpreting water interpreting grass on a sunny day near Ya Ha Tinda.

Because I’m sure most people will be wondering about this, here’s the explanation. The top photo is the same as the bottom, except that the top has a cropping and shutter speed that I’m much happier with. This shows a little bit of the exploration of a subject process I go through when I see something interesting. (if it’s not clear — it’s a mini waterfall in grass, about a foot high)

Taken at the Ya Ha Tinda ranch.

Here’s a rock I found on my hike to the Saskatchewan Glacier. I couldn’t resist the bright orange lines.

Both photos are peaceful reflections in Horseshoe Lake, taken a few minutes apart.