Often sunrises and sunsets are the best light. This light is more unusual, so it adds interest to a scene, as long as the light is not competing with other elements of your composition. I often feel like sunrises or sunsets are bandages though – something to fix an otherwise boring scene. So if you’re taking a photo of a sunrise or sunset, make sure you consider the composition as well, and what makes the foreground interesting.
Taken at sunset in Cooking Lake Rec Area last summer.
“You got lucky and have a couple good photos. I imagine everyone has a few great pictures on their computer.” These were the words spoken to me today by a “photographer” who saw me selling prints at Folk Fest. It was interesting to hear, and I agreed with him. After all, it is true that many people have a few great photos; it is also true that I occasionally get lucky while taking photos. But I think he was implying that photographers (maybe nature photographers specifically) don’t have control over the quality of their photos. And that is completely false.
I don’t control the weather, the sun, the way the trees grow, or the layout of the mountains. This is the challenge of nature photography – adapting to the environment, finding strong compositions, waiting for or creating the right light. It’s about working with what is there to create a mood, a story, a little world within a frame. This takes a great deal of practice and skill, along with some experimenting. But there’s always a little luck involved.
These are from the Moss Lake trail in Elk Island National Park last night between 10 and midnight. It was overcast and a new moon so – pretty dark. (For what it’s worth, I was trying to create my own luck and time my visit right to catch the perseid meteor shower. As it turns out I had to work with an overcast sky, so I got these instead)